Professional sound mixer - recordist operator with complete audio equipment packages for film, documentary, fiction and news. Experiences with european tv production company. More than 10 years of experience in the world of audio post production. Sound is very important to us. Typically we use Sennheiser wireless mikes with a Rode or equivalent shotgun mount on the camera or a fishpole.
Sound engineer with his own wireless mic kit (for 3 people), a recorder with time code and a boom to secure the ambiance.
No problem for the external monitor. No problem for radio+cable kit (tie clips) and cable boom-pole directional mic: available also stand for this mic.
If requested I could provide an external Tascam 4 track audio recorder .
Full Sound setup for Television ( Event sound setup is available on thee Cruise ship)
Yamaha M7cl/Venue Screen 48/Profile Mixer 48 with 2 slot card
Genalec/Yamaha Studio Monitor ( sound & Video rooms)
Head Set Mic (All same brand)
Handheld Cordless Miscrophone
Ambient QXS 550-CCMI boom pole
Drum Kit Mic Set
XTA DS-800/8000 (for splitter)
In Ear Montior
Sound man with equipment - Mixer, 2x radio mics, shotgun boom, HD recorder.
Audioman + 1 boom with pole + 2 radio tieclips (+ 3 ch mixer if needed)
Record with a Tascam 4 track external recorder,writing on a SD memory card.
The basic components of an EFP bag are identical to an ENG bag, there is just a little more of everything. Instead of a 3 channel field mixer you would use a 4 or 5 channel mixer, or use multiple mixers slaved together. You may be using two breakaway cables to send the mix to multiple cameras, as well as recording everything onto a multi-channel portable recorder. You may even need IFB systems, which enable you to wirelessly transmit your mix to a remote pair of headphones. These systems are used when a director or crew member needs to listen to the audio of the shoot as it takes place.
Time Code Equipment – In shoots where you’re working with professional video cameras, it can be extremely helpful for post production to lock the audio to time code. Generally there is one device that will provide the master time code, and the other equipment in the shoot will sync to this master generator. Some portable field recorders will have a time code generator, while others may not have a generator but will have an input that allows them to sync with an external generator. Timecode can even be transmitted wirelessly so the audio and camera people do not have to be tethered to one another. In ultra complex working situations like a professional film.
Event sound setup is available on thee Cruise ship Yamaha M7cl/Venue Screen 48/Profile Mixer 48 with 2 slot card Genalec/Yamaha Studio Monitor ( sound & Video rooms) - 5 Head Set Mic (All same brand) -12 Handheld Cordless Miscrophone - 8 Boom Mic - 4 Drum Kit Mic Set - Podium Mic – 2 XTA DS-800/8000 (for splitter) - 7 In Ear Monitor - 5 Laptop – 1 Sound man with equipment - Mixer, 2x radio mics, Boom, HD recorder. Audioman + 1 boom with pole + 2 radio tieclips (+ 3 ch mixer if needed).
Sound operator who has experience in live events and ideally motorsports/trackside.
Audiovisual and Music Productions: audio systems design, TV & Film location sound, live sound engineering, audio post-production, audio recording and mixing in audio studios as well as on location.
In ENG or documentary applications, situations arise where every second counts.
- Quickpole Boompoles
- Handcrafted professional carbon fiber boompoles
- Microphones Sophisticated
- Broadcast Microphones for location sound recordings.
- Useful Tools essential accessories for professional sound recordists
- Sennheiser MKH416 Short Shotgun Interference Tube Microphone +Rycote + Boom Pole
- Mic Sony ECM77 Condenser Microphone
- Sony UTX B03 Digital Wireless Bodypack Transmitter
- Sony UTX P03 Digital Portable Wireless Receiver
- Sony UTX P03 Digital Wireless Plug-On Transmitter
- Zoom F8 Multi-Track Field Recorder
- AKG K141 MKII Professional Semi-Open Supraaural Stereo Headphones
Sound recordist and boom operator with own gear, (electrosonics, sound devices, Sennheiser, Neumann, ambient) Italian, citizen skilled in many fields of sound (music, tv shows, documentaries).
Professional soundman/boom operator with complete audio equipment packages for documentary, fashion events and feature film Experiences with various national and international film crews. Good knownledge of written and spoken English.
Professional sound mixer - recordist operator with complete audio equipment packages for film, documentary, fiction and news. Experiences with european tv production company.
Location Sound Recordist and boom operator for Film and TV , troupe ENG EFP, Documentary film, Web, Sound Editor and Post Production.
We are available with the audio equipment (4 separate tracks SD card Tascam recorder 4 lav mics (2 cable and 2 radio) + 2 booms with stands. 2 radio lav mics more if the shooting will be "dynamic".
- We record at 48000 khz, 24 bit, we shoot at 29.97 drop-fps and with or without timecode.
- Audio can be recorded on separate tracks.
- We can split the audio. Mixdowns and backup tracks are available or mixdowns as the main track.
- We provide an SD card both for each day we film and then collect at the time of packing.
A portable mixer is the heart of an audio kit. It’s where you plug in all of the microphones and audio sources, and send the mixed audio to the cameras and field recorders. It’s also where the audio operator plugs in their headphones to hear what’s going on and conduct their work.
A single wireless microphone system consists of three parts: the microphone, the transmitter, and the receiver. The microphone attaches to the transmitter and is used remotely. The receiver stays inside the audio bag, with its output connecting to an input on the field mixer.
Boompoles come in various sizes, and depending on what kind of environment you’re working in, a shotgun microphone or a small diaphragm condenser microphone will be used on the pole. Having the proper wind protection for the boom mic is also very important.
A breakaway cable connects the two outputs of your mixer to the inputs on a video camera, or other recording device. They are also referred to as “snakes” because they are several cables bundled into one. Many breakaway cables have headphone jacks incorporated into the snake that allow you to remotely listen to the audio that’s being recorded into the camera.
Professional sound mixer - recordist operator
Sound is very important to us. Typically we use Senheiser wireless mikes with a Rode or equivalent shotgun mount on the camera or a fishpole. 1 sound engineer with his own wireless mic kit (for 3 people), a recorder with time code and a boom to secure the ambiance. Camera assistant who speak English, for documentary shoot.
- Boom poll, dead cat, blimp.
- AMBIENT QXS 550-CCMI boom pole
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