Jimmy Jib Camera Cranes specializes in providing cutting-edge Jimmy Jib equipment and experienced jib operators. Our impressive portfolio includes work for both local and international clients across various genres such as dramas, documentaries, commercials, music videos, entertainment, and sports. Operating the latest Jimmy Jib Triangle Extreme equipment, we adhere to the highest safety standards and boast an excellent track record for customer satisfaction.
Jimmy Jib Triangle Camera Crane Systems are available for video and film production.
Based in Florence, Italy, our jib systems are easily transportable and can be deployed anywhere in Italy and central Europe. The package includes everything needed to set up and operate the Jimmy Jib Camera Crane. The system can run on 12v DC or 240v AC power, and the jib arm can be mounted on a three-wheeled base for easy relocation, making it highly portable and flexible for capturing shots from different positions.
12-meter Jimmy Jib with HD camera + Jimmy Jib operator
Our customized ABC crane is lightweight, easy to build, and versatile for various set changes.
Here's an example of a music video shot with our jib last year in Bevagna and Assisi: we moved easily through the downtown area with ABC.
For lightweight cameras, I typically use a ABC crane with a 2-axis remote head for quicker setup and better handling in different set configurations. I can bring an FS5 camera with an external Atomos recorder or FS7. The crane crew is usually managed by two people.
Jimmy Jibs are widely used in television production in Italy and can be found in studio game shows, drama sets, or on location anywhere in the world. Camera Crew Italy is the ultimate and exceptionally reliable jib and camera operating company.
We have the crew, equipment, and expertise to provide a seamless work environment for creating high-quality productions.
We offer perfectly sized cranes for various productions, including feature films, commercials, music videos, reality shows, concerts, sports, corporate events, and political events. Our systems support all types of connections, including HD and standard definition. The Jimmy Jib Triangle is particularly popular for portable crane support in television and film production.
The Jib Triangle is available in sizes from 6 to 40 ft., with professional Jib Operators, tech crews, and 24/7 on-site support. Our commitment to being available 24/7 ensures a rapid response to every request. We take pride in our returning business and adapt to the evolving demands of today's media industry. The Crane Jib is mounted on a rolling tripod base, assembled in modular sections for variable height and reach, suitable for different jobs. Most are owner-operated, ensuring precision and value for production without exorbitant costs. The Jimmy Jib also offers the ability to spin the camera through up to 600 degrees of rotation if needed.
Our Jimmy Jibs support all formats, including SD/HD, 16 & 35mm, Red, etc., and come complete with HD monitoring and a full set of electronic spares.
The Stanton Triangle Jimmy Jib 2 or 3-axis camera support system is precision-engineered and expertly manufactured by Jimmy Stanton from Arizona, U.S.A. This triangle extruded system allows 36-inch modular sections to be joined up to 30ft in length from the pivot section with a 50 lb camera payload. The Stanton Triangle Jimmy Jib is versatile in both size and application, supporting 100lbs from 6ft to 18ft, making it the best option for a lightweight jib arm that can be mounted on its own three-wheeled base, heavy-duty tripod, or any Mitchell mount with or without the arm of the dollies. This system is less expensive and can be controlled with a joystick or hand wheeled, making it useful for long moving shots on a low budget. Common uses include music videos, sports, documentaries, and reality TV shows.
MODEL | REACH |
MAX HEIGHT |
CAMERA CAPACITY |
WORKING AREA |
STANDARD | 6ft (1.8m) | 13ft (3.9m) | 50lbs (22.5kg) |
6ft |
STANDARD PLUS | 9ft (2.7m) | 16ft (4.8m) | ||
GIANT | 12ft (3.6m) | 19ft (5.7m) | ||
GIANT PLUS | 15ft (4.5m) | 23ft (7m) | 8.5ft |
|
SUPER | 18ft (5.4m) | 25ft (7.6m) | ||
SUPER 21 | 21ft (6.4m) | 27ft (8.2m) | ||
SUPER PLUS | 24ft (7.3m) | 30ft (9.1m) | ||
EXTREME | 30ft (9.1m) | 33ft (11.6m) | 11ft |
Frequently Asked Questions
What is a Jib?
In cinematography, a jib is a boom device with a camera on one end and a counterweight and camera controls at the other. It operates like a see-saw with a fulcrum in the center. A jib is useful for capturing high shots or shots that need to cover great distances, horizontally or vertically, without the expense and safety issues of putting a camera operator on a crane. The camera is controlled by a cabled remote control at one end and, at the other, a super-responsive electromechanic pan/tilt head (hot head) - allowing for smooth pans and tilts.
What is a Jimmy Jib?
The Jimmy Jib is a lightweight, modular camera crane system constructed out of triangular aluminum tubing. It has a relatively small pack-down size, allowing for easy transportation and setup in almost any location. Depending on the terrain, the Jimmy Jib can be easily repositioned between shots, wheeled quickly on smooth terrain, or moved to another setup point with provided time and care for rougher surfaces.
How high can the camera go?
Our Jib configurations can raise a camera to a lens height anywhere from 1.8 meters (6 feet) to 9 meters (30 feet). Depending on configuration requirements, it can support a camera up to the weight of 22.5 kilograms. This means any type of camera, including 4k or broadcast/video. See the diagram below for specifics.
The strength of the Jimmy Jib lies in the "reach" of the crane arm, which becomes the crucial factor in creating interesting and dynamic compositions, allowing the operator to raise the camera above obscuring power lines or animated concertgoers for clear, high wide shots if needed.
How low can it go?
With the "Triangle" Jimmy Jib set up in an "under-slung" configuration, the camera can be made to rest almost directly off the floor, making the minimum lens height about 20 centimeters (8 inches). Of course, if you're willing to dig a hole, cut away a section of the set, or shoot on a platform, this minimal lens height can be reduced.
How does the remote head work?
The remote head (or hot head) is operated with a joystick control panel. The controls are connected with a cable to the head, which contains finely controlled electrical servo motors and gears. These are configured to allow the operator to pan, tilt, and, with an additional "slip ring," roll. This hothead is silent, allowing for effective operation in sound-sensitive production environments.
How many people does it take to operate the Jimmy Jib?
Usually, two operators are required for the operation of the jib. One person "swings" (moves) the actual counterbalanced boom arm, while another operates the hot head. We supply all the operators/technicians required for the operation of the Jimmy Jib.
How long does it take to set up a Jimmy Jib?
We will always ask you to allow one hour for a jib to be set up on a flat surfaced area, yet the jib is usually ready for operation in forty-five minutes. If the location is more hazardous, more time is required. It also takes around ten minutes to fit and balance the camera on the hothead.
Visit our website www.jimmyjib.it
Remote Lens Control
If a Focus Puller is required to operate the lens control for focus/zoom/iris, you will need to check with them if they prefer a wireless or hard-wired control unit. For the hard-wired option, a 10-meter (30 feet) cable is the minimum requirement, as well as a video tap for the camera.
Can your jib really take a RED or Sony F5?
The great advantage of cameras such as the Red and F55 is that they are modular, meaning they can be built up or down to suit different situations. This means we can accommodate these cameras on our jib, if configured to be within the maximum weight limit. Our Jib has a 4-pin XLR power line, which means heavy batteries are not needed.
Which camera/lens do you recommend for use on your jib?
Ideally, a broadcast camera, such as the PMW-800, paired with a super-wide HD lens, is a great combination for use on the jib.
Can't I just rent a mini Jib?
If you're looking to use a camera bigger than a DSLR Canon 5D, our Jimmy Jib is a good option.
How will focus and iris functions be controlled on cameras such as the RED & Sony F55?
Generally, the DP on the shoot will arrange a focus puller and remote focus kit.
Do you have a list of cameras your jib can support?
There are a fair few cameras, from DSLRs, broadcast cameras to Digital Cinema Cameras, that our Jimmy Jib can support. Please email us if you'd like to check if yours is supported. Our jib is best suited to broadcast cameras, where full iris, focus, and zoom control can be achieved with Fujinon & Canon lenses.
Jimmy Jib Triangle Stanton Extreme Camera Crew specializes in providing the latest Jimmy Jib equipment and experienced jib operators.
Our credits list includes work for local and overseas clients and encompasses dramas, documentaries, commercials, music videos, entertainment & sport.
We operate the latest Jimmy Jib Triangle equipment to the highest safety standards and have an excellent track record for customer satisfaction.
Jimmy Jib Triangle Camera Crane Systems are available for video and film production, mounted on a wheeled base for easy relocation of the jib while rigged, making it extremely portable and flexible when a variety of shots are required from different positions.
Based in Perugia, Umbria – the jib systems are easily transportable and can be available anywhere in Italy.
Visit our partner Jimmy Jib Italy.
All the capability of the original SEVEN mini Jib but folds to just 33" in length!
100mm invertible bowl for over or underslung shooting
6.5' of lift (1'-2.5' more than all others in its class)
60 lbs total capacity
Mounts on 100mm bowl or Mitchell base
55" of reach
Built-in tilt lock
Uses standard barbell weights (not included) for counterweight
New radial needle bearing in the base for super smooth swings
Quick release rod ends on parallel bar make for super-fast setup
Camera Crew Italy specializes in Jimmy Jib robotic camera crane rentals since 2001. Our Jimmy Jib Triangle camera cranes can carry the largest broadcast cameras to High Definition (HD) and mini cameras, making us one of the most versatile, reliable, yet practical jib rental companies. We currently have local production offices in Florence, Milan, and Rome.
The most effective portable jib on the market, supporting up to 60 lbs but weighing only 20 lbs. Designed for use with your existing tripod and fluid head, the Seven Jib Compact is equipped with a duo base that rests on both 100mm and Mitchell-topped tripods.
The Jimmy Jib has equipped itself with a 12-meter, two-axis remote head system, particularly versatile for small, sporting, and large productions. Belonging to the family of camera cranes with a remote head, the Jimmy Jib Stanton is undoubtedly the most versatile and light model. The system offers several advantages, including extraordinary handiness for transport, extreme versatility, and light weight movement suitable for changes to the original setup with little waste of time. The remote head permits 360° 'pan' and 'tilt' movement, controlled by a simple joystick, thanks to slip-ring technology. The system includes a wide range of zoom remote controls dedicated to all professional optics and broadcast Canon and Fujinon. A single cable allows the connection among all signals: 1 Triax, 2 video, Time Code, Genlook, Connessione Lanc for DvCam, supply, and optics control. Speed and acceleration regulations allow ensuring fluid or speed movements based on the specific needs of the current shot.
40ft. Stanton Triangle Jimmy Jib. All Jibs have oversize tilt cogs fitted for increased tilt accuracy and focus mods for more accurate focusing. JimmyJibs are supplied with the following: Fuji HA 13 Super Wide Lens with Internal Servo Focus, modified for jib use; 17" Sony OLED Hi Def HDSDI / HDMI Monitor; 17" Panasonic HiDef Multiformat Monitor; 7" HD Monitor; 9" Sony SDI Monitor; 14" HiRes Monitor; 7" Panasonic LCD Monitor; 3 Wheel Base with Studio.
Available is a crane with a 2-axis remotable head that could be set on 3, 5, 7, or 9 meters: we should know before the shooting what length we should prepare.
Equipment Rentals: Jib Operators / Crane Operators
We are actively seeking a second Jimmy Jib Stanton, regardless of length and configuration, to expand our operations. If you have a model to sell, please do not hesitate to offer it!